| 翻訳と辞書 |
| The Course of Empire ： ウィキペディア英語版 |
The Course of Empire
''The Course of Empire'' is a five-part series of paintings created by Thomas Cole in the years 1833–36. It is notable in part for reflecting popular American sentiments of the times, when many saw pastoralism as the ideal phase of human civilization, fearing that empire would lead to gluttony and inevitable decay. The theme of cycles is also one that Cole returned to frequently, such as in his ''The Voyage of Life'' series.
The series was acquired by The New-York Historical Society in 1858 as a gift of the New-York Gallery of Fine Arts,〔(New-York Historical Society eMuseum )〕 and comprises the following works: ''The Course of Empire – The Savage State''; ''The Course of Empire – The Arcadian or Pastoral State''; ''The Course of Empire – The Consummation of Empire''; ''The Course of Empire – Destruction''; and ''The Course of Empire – Desolation''.
The series of paintings depicts the growth and fall of an imaginary city, situated on the lower end of a river valley, near its meeting with a bay of the sea. The valley is distinctly identifiable in each of the paintings, in part because of an unusual landmark: a large boulder is precariously situated atop a crag overlooking the valley. Some critics believe this is meant to contrast the immutability of the earth with the transience of man.
A direct source of literary inspiration for ''The Course of Empire'' paintings is Byron's ''Childe Harold's Pilgrimage'' (1812–18). Cole quoted this verse, from Canto IV, in his newspaper advertisements for the series:〔Wilton, Andrew and Barringer, Tim. ''American Sublime, Landscape Painting in the United States 1820–1880'', Princeton University Press, 2002.〕
==''The Course of Empire''==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「The Course of Empire」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|